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▼Pirate Bay Founder Takes Fight To EU, Argues Swedish Censorship Violates Human Rights
Provided by: techdirt.com762012-05-16 14:07:00technology / techdirt.com / 
While The Pirate Bay has lost all of its appeals in Sweden, one of the founders, Fredrik Neij, is apparently going to take his case to the European Courts, arguing that shutting down a site like The Pirate Bay is a violation of Article 10 of the European Convention on Human Rights. As Neij's lawyers point out, since TPB does not host or transmit any material covered by copyright, shutting it down (or fining and jailing Neij based on its usage) rejects his rights "to receive and impart information."

While I understand where he's coming from, I do worry that courts to date have been particularly bad at comprehending the fact that The Pirate Bay neither hosts nor transmits any unauthorized information. While they are seeking to make analogies, the courts seem to zero in on the way many people use the tool, rather than separating the tool from the usage.
The lawyer also notes that since the torrent file information itself wasn’t illegal, the function should be covered by Article 10. He adds that he will also ask for further scrutiny as to whether it was indeed correct to hold Fredrik Neij responsible for what other people did when they used The Pirate Bay.

“In our opinion, it is like being held guilty in court because someone delivered a letter with illegal content. Another, and perhaps even more relevant analogy, would be if the founders of a buying and selling site were found guilty after someone sold a stolen bicycle after it was advertised on the site,” Nilsson explains.
Basically, it sounds like they're going with a typical secondary liability protection argument, which makes sense in theory. Once again, however, the courts have been pretty resistant to recognizing such an argument, especially when so much of the usage is for infringing purposes and (especially) when the operators of the site were quick to mock those who challenged how much of the usage was infringing. The courts just don't have very much sympathy there. Thus, I'm not confident this will turn out all that well -- and I actually worry that the end result may be a precedent that cuts of secondary liability protections for other sites as well.

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▼Sonic, Deus Ex, Velocity launch on EU PlayStation Store Techdirt. Techdirt. Wil Wheaton Reminds Us That Torrents Are Awesome, And Not Just For Pirated Movies
Provided by: techdirt.com772012-05-16 12:06:00technology / techdirt.com / 

Sonic the Hedgehog 4 Episode 2 headlines today's EU PlayStation Store update. Sega's latest Sonic adventure costs Easily digestible tech news...

The conflation of tools and technologies with the ways people use them is a big problem in the copyright debate. One of the many, many examples is the way the anti-piracy crowd treats "torrent" as a dirty word. Google endorsed this last year when they started dropping it from their search autocomplete results, and as Mike pointed out at the time, just imagine they had done the same with "mp3" a few years ago when that was supposedly synonymous with piracy. Defenders of this kind of filtering don't take such a forward-thinking stance, and their typical response in the torrent debate is to assert that the majority of BitTorrent traffic is likely infringing. Of course, that's not really the point: you don't look at the ratio of infringing use to legal use, but rather at the legal use by itself—if it's substantial and meaningful, then you have to go after the infringing users, not the technology as a whole.

Torrents have many legitimate uses. BitTorrent is simply a good protocol for sharing large files with large groups—they are perfect for films, video games, music and of course software. Linux distros are a commonly cited example, since they are always available by (perfectly legal) torrent, but this is often brushed off as if it's an excuse and torrents are not really necessary for this. Geek icon Wil Wheaton puts a bullet in this notion with a recent post on his blog, clearly demonstrating why he turned to BitTorrent for a copy of Ubuntu:

One of the things that drives me crazy is the belief in Hollywood that bittorrent exists solely for stealing things. Efforts to explain that this is not necessarily true are often met with hands clamped tightly over ears, accompanied by "I CAN'T HEAR YOU LA LA LA."

As an example of the usefulness of bittorrent for entirely legal purposes, I present the following comparitive images:



In case you can't see, the torrent is going about six times faster than a direct download, needing less than 10 minutes as compared to nearly 45. It's a simple example, but an effective one: P2P sharing is simply better sometimes. Google prides itself of directing people to the best possible information, but when their users start searching for the latest version of Ubuntu or the new Counting Crows album, they won't see autocomplete suggestions for this perfectly legal (and potentially superior) means of obtaining what they want. Seems like that runs directly counter to Google's mission. It may only be a minor annoyance, but it's also pointless, and it will only get worse as more and more people embrace torrents for legitimate distribution.



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▼Wil Wheaton Reminds Us That Torrents Are Awesome, And Not Just For Pirated Movies
Provided by: techdirt.com782012-05-16 12:06:00technology / techdirt.com / 

The conflation of tools and technologies with the ways people use them is a big problem in the copyright debate. One of the many, many examples is the way the anti-piracy crowd treats "torrent" as a dirty word. Google endorsed this last year when they started dropping it from their search autocomplete results, and as Mike pointed out at the time, just imagine they had done the same with "mp3" a few years ago when that was supposedly synonymous with piracy. Defenders of this kind of filtering don't take such a forward-thinking stance, and their typical response in the torrent debate is to assert that the majority of BitTorrent traffic is likely infringing. Of course, that's not really the point: you don't look at the ratio of infringing use to legal use, but rather at the legal use by itself—if it's substantial and meaningful, then you have to go after the infringing users, not the technology as a whole.

Torrents have many legitimate uses. BitTorrent is simply a good protocol for sharing large files with large groups—they are perfect for films, video games, music and of course software. Linux distros are a commonly cited example, since they are always available by (perfectly legal) torrent, but this is often brushed off as if it's an excuse and torrents are not really necessary for this. Geek icon Wil Wheaton puts a bullet in this notion with a recent post on his blog, clearly demonstrating why he turned to BitTorrent for a copy of Ubuntu:

One of the things that drives me crazy is the belief in Hollywood that bittorrent exists solely for stealing things. Efforts to explain that this is not necessarily true are often met with hands clamped tightly over ears, accompanied by "I CAN'T HEAR YOU LA LA LA."

As an example of the usefulness of bittorrent for entirely legal purposes, I present the following comparitive images:



In case you can't see, the torrent is going about six times faster than a direct download, needing less than 10 minutes as compared to nearly 45. It's a simple example, but an effective one: P2P sharing is simply better sometimes. Google prides itself of directing people to the best possible information, but when their users start searching for the latest version of Ubuntu or the new Counting Crows album, they won't see autocomplete suggestions for this perfectly legal (and potentially superior) means of obtaining what they want. Seems like that runs directly counter to Google's mission. It may only be a minor annoyance, but it's also pointless, and it will only get worse as more and more people embrace torrents for legitimate distribution.



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▼Tenenbaum To Supreme Court: Let's Get This Constitutional Debate On Statutory Rates For Copyright Infringement Rolling
Provided by: techdirt.com792012-05-16 10:09:00technology / techdirt.com / 
You may recall that, in the case of Joel Tenenbaum -- who is in a legal battle with some major lbels for file sharing -- a jury awarded the labels $675,000 for the sharing of just a few songs. The judge, Nancy Gertner, pointed out that this seemed unconstitutionally excessive and reduced the award to $67,500 -- knocking 90% off the jury's award. The appeals court in the case reinstated the original $675,000 on procedural grounds. It said that Judge Gertner jumped the gun in leaping to the constitutional question, rather than using remittitur, as had been done in the Jammie Thomas case. Remittitur would allow the RIAA to have the case happen all over again with a new jury. In the Jammie Thomas case there have already been three trials.

Tenenbaum, led by famed lawyer/law professor Charles Nesson, challenged the appeals court on all of this, but had that quickly rejected. As we noted at the time, Nesson seemed to (as he's done in the past) argue points unrelated to the specific legal questions at issue. This seemed like a bad way to go about things in a court of law, even if it may help in the court of public opinion.

The latest is that Tenenbaum/Nesson have filed to raise the issue with the Supreme Court. At least the argument here is a bit more focused on the requirement for remittitur, with Tenenbaum's team arguing that the statutory damages for non-commercial use is clearly a major Constitutional issue, and by forcing it through the remittitur process, all the courts are doing is pressuring people like Tenenbaum to settle, rather than ever allowing it to be judged on constitutionality. And that has consequences -- namely in enabling copyright trolls to shake people down, without ever allowing them to challenge the constitutionality of massive statutory damages.

I actually think this is a much more persuasive argument than I've seen from Team Tenenbaum in the past, but it seems unlikely that the Supreme Court will actually take the case on. I hope I'm wrong (and then, if I am wrong on that, I hope I'm wrong in my guess as to how it will come out, because this version of the Supreme Court doesn't appear to understand the issues around copyright law). Either way, we should find out soon enough.

I do think it's interesting that Nesson is using the copyright troll issue as part of the argument. Eventually, this or an issue like it will get to the Supreme Court, and hopefully the Justices realize just how damaging such practices can be:
They use the asymmetric cost of litigation to make defense by the individual economically irrational.

This Court should do everything it can to remedy this misuse of process. Its effects are not ended because the RIAA has ceased suing individuals. Others are using the legal structure and litigation tactics they have put in place.4 The weight of federal litigation is not a tool appropriately used to suppress legal challenge. The absence of cases pending in the federal courts highlights the problem: a deeply misshapen judicial architecture has been set in place. Without review, it is unfixable. The suppression of ability to challenge a process that is repeatedly producing appalling results, not circuit splits, is exactly why this case is worthy of this Court's present attention.
It's an interesting argument to get around the lack of a circuit split (conflicting rulings in different circuits, which is one of the key reasons why the Supreme Court agrees to hear certain cases). However, I just don't think the Court will think it's a big enough deal to jump on it, perhaps figuring that it can bounce back up eventually. Of course, that only underlines the point: for that to happen, it means years more of Tenenbaum's time wasted with this case. That seems unfortunate.

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▼MICHAEL DAVID CRAWFORD and ORION BLASTAR v GOOGLE FOXNews.comFOXNews.com Live BookmarkTechdirt. Techdirt. The Sky Continues To Rise: EU Gross Box Office Returns And EU Film Production Both Hit Record Highs In 2011
Provided by: techdirt.com802012-05-16 07:38:00technology / techdirt.com / 
MICHAEL DAVID CRAWFORD and ORION BLASTAR Plaintiffs, v. GOOGLE, INC. Defendant. COMPLAINT FOR DECLARATORY AND INJUNCTIVE RELEASE. FOX News Channel - We Report. You Decide.Easily digestible tech news...

Even though just about every objective statistic suggests otherwise, the copyright industries still take turns bemoaning the terrible toll that piracy is supposedly taking on their markets. So it's good to come across some official figures that suggest the contrary, particularly because in this case they come from the European Audiovisual Observatory—not a market research company, but a public service body. Here are the latest numbers for the European film industry:

2011 was a year of stabilisation at the European box office as the marked upward trend of GBO [gross box office] of the past two years slowed down significantly, resulting nevertheless in an overall year-on-year increase. Based on provisional data the European Audiovisual Observatory estimates that EU gross box office returns increased marginally by 0.7% from EUR 6.37 billion [$8.14 billion] to EUR 6.4 billion [$8.18 billion], still the highest level on record. Cinema attendance remained stable with an estimated 962 million tickets sold.
Note that this is no mere one-off -- the report speaks of a "marked upward trend" of the previous two years that has slowed down significantly, but is still there, leading to what it terms "the highest level on record". That's about box office sales, but maybe the European film industry itself is suffering under the onslaught of popular US movies? It seems not:
2011 saw European films claiming back market share which they had lost to US 3D blockbusters in 2009 and 2010. Based on provisional figures, estimated market share for European films in the EU climbed from 25.2% to 28.5% in 2011, back to the ‘pre-3D’ levels of 2007 and 2008. Market share for US films on the other hand fell from 68.5% to an estimated 61.4%. This would be lowest level since 2001.
The best result for a decade, then. Now, that's all very well, but might still be the result of a few anomalous European blockbusters that have distorted the figures. According to the European Audiovisual Observatory, that's not the case:
EU production levels continued to grow to 1,285 feature films in 2011, 59 films more than in 2010 and a new record high.
 In other words, in 2011, Europe note only saw record box office receipts at cinemas, but also record indigenous film production. It's a little hard to see how anyone could try to spin that as another "piracy is destroying the European film industry, we must bring in tougher copyright infringement laws" story, but I'm sure the usual suspects will try their darnedest.

Follow me @glynmoody on Twitter or identi.ca, and on Google



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▼The Sky Continues To Rise: EU Gross Box Office Returns And EU Film Production Both Hit Record Highs In 2011
Provided by: techdirt.com812012-05-16 07:38:00technology / techdirt.com / 

Even though just about every objective statistic suggests otherwise, the copyright industries still take turns bemoaning the terrible toll that piracy is supposedly taking on their markets. So it's good to come across some official figures that suggest the contrary, particularly because in this case they come from the European Audiovisual Observatory—not a market research company, but a public service body. Here are the latest numbers for the European film industry:

2011 was a year of stabilisation at the European box office as the marked upward trend of GBO [gross box office] of the past two years slowed down significantly, resulting nevertheless in an overall year-on-year increase. Based on provisional data the European Audiovisual Observatory estimates that EU gross box office returns increased marginally by 0.7% from EUR 6.37 billion [$8.14 billion] to EUR 6.4 billion [$8.18 billion], still the highest level on record. Cinema attendance remained stable with an estimated 962 million tickets sold.
Note that this is no mere one-off -- the report speaks of a "marked upward trend" of the previous two years that has slowed down significantly, but is still there, leading to what it terms "the highest level on record". That's about box office sales, but maybe the European film industry itself is suffering under the onslaught of popular US movies? It seems not:
2011 saw European films claiming back market share which they had lost to US 3D blockbusters in 2009 and 2010. Based on provisional figures, estimated market share for European films in the EU climbed from 25.2% to 28.5% in 2011, back to the ‘pre-3D’ levels of 2007 and 2008. Market share for US films on the other hand fell from 68.5% to an estimated 61.4%. This would be lowest level since 2001.
The best result for a decade, then. Now, that's all very well, but might still be the result of a few anomalous European blockbusters that have distorted the figures. According to the European Audiovisual Observatory, that's not the case:
EU production levels continued to grow to 1,285 feature films in 2011, 59 films more than in 2010 and a new record high.
 In other words, in 2011, Europe note only saw record box office receipts at cinemas, but also record indigenous film production. It's a little hard to see how anyone could try to spin that as another "piracy is destroying the European film industry, we must bring in tougher copyright infringement laws" story, but I'm sure the usual suspects will try their darnedest.

Follow me @glynmoody on Twitter or identi.ca, and on Google



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▼Tex Murphy: Project Fedora Begins its Kickstarter Drive Failed to Get RSS Data Techdirt. Techdirt. The Sky Continues To Rise: EU Gross Box Office Returns And EU Film Production Both Hit Record Highs In 2011
Provided by: techdirt.com821970-01-01 00:00:00technology / techdirt.com / 
04qxVNDao4c Tex Murphy: Project Fedora (http://www.kickstarter.com/projects/251414413/tex-murphy-project-fedora) has begun its Kickstarter drive. So far they've made $108,000 of their $450,000 goal. ---Quote--- An error was ecnountered attempting to get the RSS data: The server did not return XML. The content type returned was Easily digestible tech news...

Even though just about every objective statistic suggests otherwise, the copyright industries still take turns bemoaning the terrible toll that piracy is supposedly taking on their markets. So it's good to come across some official figures that suggest the contrary, particularly because in this case they come from the European Audiovisual Observatory—not a market research company, but a public service body. Here are the latest numbers for the European film industry:

2011 was a year of stabilisation at the European box office as the marked upward trend of GBO [gross box office] of the past two years slowed down significantly, resulting nevertheless in an overall year-on-year increase. Based on provisional data the European Audiovisual Observatory estimates that EU gross box office returns increased marginally by 0.7% from EUR 6.37 billion [$8.14 billion] to EUR 6.4 billion [$8.18 billion], still the highest level on record. Cinema attendance remained stable with an estimated 962 million tickets sold.
Note that this is no mere one-off -- the report speaks of a "marked upward trend" of the previous two years that has slowed down significantly, but is still there, leading to what it terms "the highest level on record". That's about box office sales, but maybe the European film industry itself is suffering under the onslaught of popular US movies? It seems not:
2011 saw European films claiming back market share which they had lost to US 3D blockbusters in 2009 and 2010. Based on provisional figures, estimated market share for European films in the EU climbed from 25.2% to 28.5% in 2011, back to the ‘pre-3D’ levels of 2007 and 2008. Market share for US films on the other hand fell from 68.5% to an estimated 61.4%. This would be lowest level since 2001.
The best result for a decade, then. Now, that's all very well, but might still be the result of a few anomalous European blockbusters that have distorted the figures. According to the European Audiovisual Observatory, that's not the case:
EU production levels continued to grow to 1,285 feature films in 2011, 59 films more than in 2010 and a new record high.
 In other words, in 2011, Europe note only saw record box office receipts at cinemas, but also record indigenous film production. It's a little hard to see how anyone could try to spin that as another "piracy is destroying the European film industry, we must bring in tougher copyright infringement laws" story, but I'm sure the usual suspects will try their darnedest.

Follow me @glynmoody on Twitter or identi.ca, and on Google



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▼Amy Adams is Going to Dark Places Techdirt. Techdirt. Thank Twitter For Standing Up For User Rights
Provided by: techdirt.com831970-01-01 00:00:00technology / techdirt.com / 
Amy Adams ( The Muppets , Enchanted ) is in negotiations to star in a thriller based on Gillian Flynn's best-seller "Dark Places," to be directed by Gilles Paquet-Brenner ( Sarah's Key ) from his script. The book is described as follows: I have a meanness inside me, real as an organ. Libby Day was seven when her mother and two sisters were murdered in Easily digestible tech news... We recently wrote about Twitter's decision to stand up for a user in court, fighting against a court ruling that said that a user has no proprietary interest in their own tweets and info, such that those users cannot contest a government attempt to subpoena information from Twitter. This is not the first time that Twitter has aggressively stood up for its users' rights against government excess -- in a world where that's quite rare. When the government comes calling, most companies roll right over. In response to this, the folks over at Fight for the Future have put together a petition page, asking people to sign up to thank Twitter. If they get 50,000 people to sign, they'll present Twitter with a medal for defending the internet (these medals are awesome).

Given that internet petitions are often done in protest of something or against something, I really like this idea of effectively getting people to sign on for something positive and celebrate a company that does its best to protect the interests of its users. If you agree, head on over and sign up to thank Twitter.

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▼Thank Twitter For Standing Up For User Rights
Provided by: techdirt.com842012-05-16 03:42:00technology / techdirt.com / 
We recently wrote about Twitter's decision to stand up for a user in court, fighting against a court ruling that said that a user has no proprietary interest in their own tweets and info, such that those users cannot contest a government attempt to subpoena information from Twitter. This is not the first time that Twitter has aggressively stood up for its users' rights against government excess -- in a world where that's quite rare. When the government comes calling, most companies roll right over. In response to this, the folks over at Fight for the Future have put together a petition page, asking people to sign up to thank Twitter. If they get 50,000 people to sign, they'll present Twitter with a medal for defending the internet (these medals are awesome).

Given that internet petitions are often done in protest of something or against something, I really like this idea of effectively getting people to sign on for something positive and celebrate a company that does its best to protect the interests of its users. If you agree, head on over and sign up to thank Twitter.

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▼MICHAEL DAVID CRAWFORD and ORION BLASTAR v GOOGLE Techdirt. Techdirt. DailyDirt: What Do You Remember?
Provided by: techdirt.com852012-05-16 00:00:00technology / techdirt.com / 
MICHAEL DAVID CRAWFORD and ORION BLASTAR Plaintiffs, v. GOOGLE, INC. Defendant. COMPLAINT FOR DECLARATORY AND INJUNCTIVE RELEASE. Easily digestible tech news... Everybody at one time or another wishes they had a better memory. There are some techniques and memory exercises to help improve the way people memorize lists, but some things are just more memorable than others. Some research is starting to delve into why we remember some things but not others, and here are just a few interesting links that you might want to write down. By the way, StumbleUpon can recommend some good Techdirt articles, too.

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▼DailyDirt: What Do You Remember?
Provided by: techdirt.com862012-05-16 00:00:00technology / techdirt.com / 
Everybody at one time or another wishes they had a better memory. There are some techniques and memory exercises to help improve the way people memorize lists, but some things are just more memorable than others. Some research is starting to delve into why we remember some things but not others, and here are just a few interesting links that you might want to write down. By the way, StumbleUpon can recommend some good Techdirt articles, too.

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▼Darell Issa Puts Old Leaked TPP IP Text Up For Discussion
Provided by: techdirt.com872012-05-15 22:59:00technology / techdirt.com / 
We've written a few times now about Rep. Darrell Issa, and the Madison platform his office has set up to allow for crowdsourcing opinion on legislation and other government documents. He originally used it for his OPEN Act, but then later posted the text of ACTA as well. His latest move is to post the leaked text of the US's negotiating position on TPP. This is the same text that leaked out last year. It would be nice if the USTR did something like this itself with the latest text, but that's not how USTR Ron Kirk works. To him "transparency" is only sharing the text with big industry special interests, and declaring it a matter of "national security" if anyone else wants to see it.

Issa recognizes how this is dangerous to a functioning democracy, when our federal government is negotiating deals in back rooms, despite the fact they will have a massive impact on the public:
“At a time when the American people and Internet users all around the world are rightfully wary of any closed-door negotiations that could adversely impact their ability to freely and openly access the Internet, the Obama Administration continues to pursue a secretive, closed-door negotiating process for the Trans Pacific Partnership,” Issa said. “I have decided to publish the intellectual property rights chapter of TPP in Madison so that the public can provide input to those negotiating this agreement, and to push this Administration - and the federal government as a whole - to be open, transparent and inclusive when it comes to international intellectual property rights agreements that have potentially serious consequences for the Internet community.”
Again, it's great that he's added this text to the Madison platform, but it's disappointing that it's still the old leaked version, rather than anything more up to date. The version he posted is now 15 months old, and there have been a bunch of additional negotiations since then. Still, it's good to see others in the federal government trying to encourage discussion on this agreement, even if the USTR continues to hide in secrecy (unless you're a big corporate lobbyist, of course).

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▼In Which I Debate A Media Mogul Who Insists It's Crazy To Give Content Away For Free
Provided by: techdirt.com882012-05-15 21:53:00technology / techdirt.com / 
Last week, I went on PBS Mediashift's podcast to debate media mogul Steven Brill about the power of paywalls. Brill runs Press , one of the first companies that built a business around setting up paywalls for publications. They focus on NYT/FT-like "metered" paywalls, where you get some content for free, but if you hit a certain number of pages, you're locked out unless you pay. Brill, whose company had to sell out to a much larger player recently (suggesting it's not as successful as he makes it out to be), insists during the episode that there is no way to make money giving away journalism content for free, and insists that advertising is no way to make money. You can hear our debate starting at around 18:45 on the podcast:

There was a lot more that could have been said if we'd had the time, but I found a number of his arguments bizarre. The internet represents a huge opportunity to grow and expand a business -- yet he's celebrating the fact that the sites who agree to put up the giant padlock he's selling are "only" losing a little bit of their traffic? This is the time to be investing in and growing traffic, because as soon as free competitors come along, and people realize they don't need to pay any more, what will these sites have left? They'll have less traffic, less advertising and less subscription revenue. That's no way to invest in the future.

Separately, there was a nonsensical story about a journalism student who might get hired for a publication, but if that publication gives away its content for free, she can't pay her rent any more. I have no time for arguments like that. If she got hired, she has a salary. If a publication is giving away content for free that doesn't mean it makes no money or has no business model. Arguments like that suggest someone who has no real argument.

I am sure that the publications -- mostly regional newspapers -- that are using Press are successful in slowing the rate of churn. Some paper subscribers probably agree to do a bundled package for the time being, getting paper and digital access. But it's not a long term solution. Perhaps for people of Brill's generation, it makes sense, but I don't know many people under 40 who subscribe to a local newspaper any more. There's more and more info available for free online. And there are growing opportunities to provide more such info.

Advertising is a tough way to make a living, but no one says it's the only way to make money online. There are lots of creative ways to make money online that don't involve pissing off your userbase and limiting what they can do. When you do that, you make the content that much less valuable, and that's no way to run a business.

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▼Dutch Judge's Anti-Piracy Activities Draw Accusations Of Corruption In Pirate Bay Censorship
Provided by: techdirt.com892012-05-15 20:55:00technology / techdirt.com / 
We were a bit surprised last week to hear that a court in the Netherlands had ruled that the Dutch Pirate Party had to censor itself, when it came to explaining to people how to use proxies to get around The Pirate Bay block. At some point such censorship needs to be seen as a fundamental violation of human rights. If you are going to block a website, that's one thing. But blocking a political party from demonstrating the ridiculousness of such a block by ordering them not to talk about it? You're just asking for trouble.

However, we should have remembered that we've seen this kind of thing in the past in the Netherlands. A couple years ago, a court blocked the usenet community site FTD. FTD did not host any infringing content. It did not offer torrents of any infringing content. It was simply a community offering that some people used to post information on where you could find infringement. And for that, it was blocked. And yet... some people noticed at the time that the judge in that case taught "anti-piracy" classes, where the person running the events was the lawyer representing the entertainment industry in that same case.

Guess what? Turns out the judge in this case was that exact same judge, leading Pirate Party founder Rick Falkvinge to accuse him of beiing "not only corrupt, but textbook corrupt." Don't they have conflict of interest rules in the Netherlands?

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▼TV Network Execs Contemplate Going To Court To Say Skipping Commercials Is Illegal
Provided by: techdirt.com902012-05-15 19:56:00technology / techdirt.com / 
Late last week Charlie Ergen and the folks at Dish Networks presented the TV networks with a bit of a conundrum. You see, the company decided to actually give consumers what they want: setting up a special DVR system, called Auto Hop, that would let viewers not just automatically DVR the entire primetime lineup of all the major networks with the single push of a button -- but also to automatically skip commercials when watching the playback, as long as it wasn't the same day the shows aired. This is something that consumers clearly want -- which Dish execs were pretty upfront about:
“Viewers love to skip commercials,” Vivek Khemka, vice president of DISH Product Management, said in a statement
But, of course, who is a consumer in this market gets complicated pretty fast. The TV networks, of course, make a fair bit of money from advertising on these shows, and they're not happy about any idea that means people might skip commercials. Those of you who have been around for a bit may recall a few relevant stories. First, there was Jamie Kellner, the former chair of Turner Broadcast Systems, who once claimed that walking away from your TV while commercials aired was a form of theft. Then, of course, there was the famous ReplayTV case. If you don't recall, ReplayTV was an early competitor to TiVo, and in many regards a better product. Among its featured, it took an already considered legal feature from VCRs called "commercial skip" and added it to DVRs. The industry sued, in large part because of this feature, which they considered to be breaking the law.

Of course, the expense of the lawsuit resulted in Replay's parent company SonicBlue to declare bankruptcy. It then sold off the remains to D&M, who tried relaunching a version of the product without all the cool features people liked, and it went nowhere. Eventually, DirecTV bought the remnants. However, the basic lawsuit died out with the bankruptcy. A bunch of ReplayTV users, led by Craig Newmark from Craigslist, actually tried to continue the case on their own, to have those features declared legal, but after the networks promised not to sue those users for using the features, the judge tossed the case.

Left unresolved, of course, is whether or not features like commercial skip are actually legal.

As some are pointing out, the TV networks may have missed a golden opportunity by not continuing the fight against Craig and the other users, since they wouldn't be able to afford the bigtime lawyers that Ergen and Dish can easily toss out here. So the TV networks basically have to make the decision if this is really a battle worth fighting.

It does seem clear that the anti-consumer folks who run the TV networks would certainly like to slap Dish around for this move:
"I think this is an attack on our eco-system," said NBC Broadcasting chairman Ted Harbert on a conference call Monday. "I'm not for it."
Isn't it just like NBC to think that a tool that the public actually finds useful is an "attack" on their ecosystem? At some point, in the way, way distant future, perhaps we'll live in an age where companies like NBC Universal recognize that when things are more efficient and easier for consumers, that this is a good thing rather than something to freak out about and declare evil?

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